RAW to JPE Converter

RAW is not one format but a family: each camera maker packages the sensor's barely-processed readout differently — Canon CR2/CR3, Nikon NEF, Sony ARW, Fujifilm RAF, Panasonic RW2, plus Adobe's open DNG attempt at standardization. Instead of finished pixels you get 12- or 14-bit linear data straight off the sensor, which is why every RAW must be demosaiced and rendered before any ordinary app can show it.

The payoff is latitude. Because white balance, sharpening and tone curve were never baked in, a RAW file tolerates several stops of exposure correction that would destroy a JPG. The cost is workflow: files run 20–100 MB, every vendor's flavor needs its own decoder, and sharing means exporting a finished JPG or PNG.

JPG (short for JPEG, the Joint Photographic Experts Group committee that standardized it in 1992) has been the default photo format for over three decades. It compresses photographs using the discrete cosine transform: the image is split into 8×8 blocks, and details the human eye is bad at noticing are discarded. The result is files many times smaller than uncompressed data, at a quality level you control when saving.

In practice JPG is unbeatable for photographs and smooth gradients — camera memory cards, messaging apps and the web all assume it. It is a poor fit for screenshots, logos or anything with sharp edges and flat color, where compression leaves visible ringing around text. There is no transparency support, color depth is capped at 8 bits per channel, and every re-save with compression compounds tiny generational losses.